The Twelve Hour Foundation Bristol, UK
The Twelve Hour Foundation is an electronic/musique concrète group based in Bristol.
The line-up
comprises Polly Hulse (analogue synth/rhythms) and Jez Butler (analogue synth/concrète sequences).
Live shows have included Supernormal Festival 2015, The Delaware Road, Reading, slots with Go Kart Mozart, Happy Meals and The Lovely Eggs.
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Interim Report, March 1979
by Warrington-Runcorn New Town Development Plan
supported by 66 fans who also own “Sucking Snow from a Sheepskin Mitten”
Amazing!!! I missed out on the vinyl. Hopefully there’s a 3rd pressing of this release in the future. So far, my favorite album of 2021
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The Nation's Most Central Location.
by Warrington-Runcorn New Town Development Plan
supported by 58 fans who also own “Sucking Snow from a Sheepskin Mitten”
This is very close to what I heard/felt everytime we visited the grandparents in Runcorn. Ominous dread. Bleak dystopia. Concrete and terraced houses. Plus the air smells!
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People and Industry
by Warrington-Runcorn New Town Development Plan
supported by 57 fans who also own “Sucking Snow from a Sheepskin Mitten”
Great record. wears it's influences proudly ..but retains a sliver of identity that is uniquely British and has a northern feel to it..I think that these geographic musical vignettes are realy evocotive of northern Newtown Uber estates and satellite communities..I hope this translates to a wider audience for him...he deserves the attention. give him his due .NOW .
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Close Encounters of the Pennine Kind
by The Night Monitor
This modular synth masterwork from The Night Monitor was inspired by Alan Godfrey’s alien abduction story.
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Adam Cresswell (Saloon, Arthur & Martha) builds ARP strings, drum samples, and krautrock grooves into a magical-realist synthpop collage.
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Jasper Ewing brings all manner of electronic equipment to his bright, jittery songs, resulting in tiny, sparkling melodic wonders.
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Scarred For Life 2
by Scarred For Life
supported by 57 fans who also own “Sucking Snow from a Sheepskin Mitten”
Being a child in the 70s and early 80s had a certain spookiness to it. Spirits seemed more readily available. I recall a homesickness which would haunt me even then, as if I were from another place entirely. Life's a mystery which childhood makes even worse, so let us revisit it in all its haunting creepiness. Who are the "pocket pavilions"? I can find nothing more other than this one song, and it's a very good tune I really enjoy.
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